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This archive is devoted to independent productions, series too short-lived to warrant an archive of their own, and episodes which fall within the categories of Science Fiction/Fantasy, Horror/Thriller, and Action/Adventure from series not generally associated with those genres.

Currently this archive contains 157 plotlines

Beyond Tomorrow | Beyond This World | Black Chapel | Caltex Theater | The Campbell Playhouse | CBC | CBC Mystery Theatre | CBS Radio Adventure Theater | CBS Radio Workshop | Challenge of Space | Columbia Workshop | Creeps by Night | Darkness | Family Theater | General Mills Radio Adventure Theater |George Edwards Productions | The Haunted Hour | Hollywood Star Playhouse | Independent Productions | Lux Radio Theatre | Macabre | Mercury Theatre on the Air | Murder at Midnight | Mutual Radio Theater | Mystery in the Air | Nazi Eyes on Canada | Nightmare | OMNI Audio Experience | Radio City Playhouse | Sears Radio Theater | Tales of Tomorrow | Theatre 10:30 | Theatre Guild on the Air | The Vanishing Point | The Weird Circle | With Book and Pipe

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Beyond Tomorrow

aka: Beyond This World

This brief series is not notable for much, except that it was the first attempt to air a science fiction anthology on American radio, beating 2000 Plus to the airwaves by a month. An audition and three episodes were produced, but it is unclear if they ever acutally aired. If they did, they probably aired on the Mutual network sometime between August 1949 and April of 1950 before being pulled. Apparently CBS briefly considered picking it up, but that never happened. Included adaptations from Robert Heinlein, Graham Doar, and Theodore Sturgeon.

Webmaster Recommends:

The Outer Limit
Genre: SF
Available for Listening Booth: Y

A test pilot on an experimental high altitude aircraft with only ten minutes worth of fuel disappears from radar for ten hours, yet returns safely. Of course, it is impossible, as is his story of contact with aliens and the dire warning they have for Mankind.

A very popular story with radio producers. Versions also appeared on Escape, X Minus One, and two versions for Suspense.

Requiem
Genre: Space Exploration
Available for Listening Booth: Y

A tycoon with a dangerous heart condition who'd always dreamed of setting foot on the Moon hires two ex-astronauts to fly him there illegally in a ship he has built in secret. Story by Robert Heinlein.

Versions of this story also appeared on X Minus One and Dimension X. See also 'The Vital Factor' (Dimension X and X Minus One)

Incident at Switchpath
Genre: Aliens
Available for Listening Booth: Y

An coroner's enquiry uncovers an uncanny story of an alien device found in a cave that seems to be recording everything that happens on Earth. Why would anyone be interested in this planet? Based on the story The Sky is Full of Ships, by Theodore Sturgeon.

A reading of the original story was performed on Mind Webs. Yet another version was produced for television on the program Tales of Tomorrow, under the title 'Verdict From Space'.


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Black Chapel

Black Chapel was a 15-minute Horror Anthology produced between 1937 and 1939. Ted Osbourne played the role of the unbalanced host who introduced each episode. In fact, he played all the characters (using character voices) and accompanied himself on organ! Only two episodes survive out of over 100 produced.

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The Mahogany Coffin
Genre: Horror
Available for Listening Booth: Y

Reviews:
The Tale of the Crawling Terror
Genre: Horror
Available for Listening Booth: Y

Reviews:

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Caltex Theatre

Caltex Theatre was an Australian Drama Anthology which aired from 1948 to 1960. It was a continuation of the Macquarie Radio Theatre (which began in 1941, with a name change in 1948). One-hour episodes aired weekly on Sunday evening at 8:00 PM. The cast included Richard Davies, Lyndall Barbour, Sheila Sewell, Alan White, Patricia Kennedy, and Keith Eden. Many of the productions were adaptations of popular movies, similar to Lux Radio Theatre in the U.S. At least 490 episodes were aired, but I know of only 6 that survive.

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Forbidden Planet
Era: 1957
Genre: Space Exploration
Available for Listening Booth: Y

A faithful adaptation of the Hollywood film of the same title.


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The Campbell Playhouse

An hour-long Drama Anthology which was a continuation of The Mercury Theater on the Air, renamed when the show obtained a sponsor. The series continued for another two years as an hour-long show, and then a third year as a half-hour show. 48 of 88 shows still survive.

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A Christmas Carol
Genre:
Available for Listening Booth: Y

Reviews:

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CBC

The Canadian Broadcasting Corporation has been producing radio drama for decades, including many Sci-Fi and Horror subjects among its fare. Below is listed only a selected sampling from various CBC efforts; A more comprehensive archive may be undertaken at some point in the future.

Due to copyrights, no CBC programs are available for the Listening Booth.

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The 13 Clocks
Genre:
Available for Listening Booth: N

Familiar fairy tale. Very familiar. Handsome prince, beautiful princess, and of course an Evil King - The Princess's Father. The Prince wants his daughter's hand, the King wants his head. What to do? Give Dad a 1000 jewels. He does. But...

Reviews:
Familiar, yes. But still nicely done with an engaging fantasy premise regarding the jewels and oh yes, those 13 clocks too... --- Bruce Fisher
Alien Bait
Genre: Aliens
Available for Listening Booth: N

A whimsical look at a symposium for alien abductees, done in a documentary style.

Breaking Strain
Genre: SF
Available for Listening Booth: N

A cargo ship en route to Venus suffers an oxygen leak which leaves only enough air for one of the two crewmen aboard to survive the trip. Story by Arthur C. Clarke.

Reviews:
Story's resolution just ok, entire production for the most part fine. Compelling, but it won't get your mojo working. --- Bruce Fisher
Colossus: The Forbin Project
Genre: Supercomputers
Available for Listening Booth: N

A supercomputer, impervious to interference of any kind, is created to defend the free world from nuclear attack. But unbeknownst to its creators, the Soviets have built one too. Within hours of activation, the two machines learn to communicate and begin to conceive ideas of their own about world security. Based on the book by D.F. Jones, and the movie of the same title.

Reviews:
Okay. To enjoy this you really have to just go with the flow and enjoy it as a classic bit of cold war, paranoid, technology phobic drama. If you start questioning things then it all seems rather daft. I mean, for crying out loud, when the scientists were designing this huge defence computer did nobody think it might be a good idea to have an off switch (just in case it maybe didn't work out)? And would the President of the United States really abdicate his responsibility for nuclear launch to a machine? With no off switch?? And nobody at the White House briefing questioned the President about his decision (hello??)? And given that the machine can read and interpret feeds from newspapers, TV, radio, satellite, etc, why is the operator interface a teletype? Perhaps I'm being a little harsh. Classic of the genre. Think Terminator's Skynet, Wargames, Star Trek's V'ger. --- Marcus Lancaster
The Veldt
Genre: SF
Available for Listening Booth: N

From CBC Playhouse: A couple purchase a holo-theater to keep their son and daughter amused, but the recreation of the sweltering African savannah the children concoct is anything but amusing....Story by Ray Bradbury.

Reviews:
One of Bradbury's most popular stories, versions appeared on X Minus One, the BBC, and Dimension X.

CBC Mystery Theatre

I know very little about this series. I have 16 shows dated between 1966 and 1968, all of which are classic supernatural mysteries. I do not know how many episodes were produced or how many still exist. It is possible that this was a sub-series within the Theatre 10:30 programme. At least two circulating episodes, "The Monkey's Paw" and "The Ghost Town Hermit" identify themselves as belonging to both Theatre 10:30 and Mystery Theatre.

Nazi Eyes on Canada

A 5-part wartime series produced to scare Canadians into buying war bonds, this program presented the nightmarish vision of the effects of a Nazi invasion and conquest of Canada. It drew its inspiration from a Nazi agent who travelled across the country in the 30's and sent a report of Canada's strengths, weaknesses, and resources back to his superiors in Berlin. The series employed the likes of Helen Hayes, Vincent Price, and even Orson Welles. Each episode introduced different families living in various parts of the country prior to the arrival of those nasty Nazis and then showed what tragedies befell them during the occupation. Melodramatic, grisly, often racist and very dark, but interesting as a window on wartime attitudes and mass media propaganda.

Nightfall

See the Nightfall archive here.

Theatre 10:30

I know little of this series, other than it came out of the 1960s, aired at 10:30 PM and was a multi-genre anthology that produced several episodes that could be called Sci-Fi or Horror.

Long Shadow on the Lawn
Genre: Horror
Available for Listening Booth: N

A rural community is besieged by a homicidal maniac.

The Pedestrian
Genre: Future Earth
Available for Listening Booth: N

In a future society where the government enforces docility through television and curfews, two 'insurgents' venture out of their homes to risk a walk in the night air. Based on a story by Ray Bradbury.

The Searching Wind
Genre: Horror
Available for Listening Booth: N

A couple are beset by the husband's best friend, who has an obsessive fear of winds that want to hunt him down. Very loosely based on the Ray Bradbury story 'The Wind', though the credits neglect to mention his name.

Reviews:
Don't bother - listen to the Bradbury 13 version, which is superior in every regard. --- Jeff Dickson
The Thing in the Hall
Genre: Creatures
Available for Listening Booth: N

In Victorian London, a doctor becomes concerned for a friend who is cavorting with an 'elemental' , an entity of pure evil

See also 'How Love Came to Professor Guildea' CBS Radio Mystery Theater (as 'Shadow of Love'), Escape , Radio City Playhouse, and The Vanishing Point.

The Vanishing Man
Genre: Supernatural
Available for Listening Booth: N

An ageing father is at odds with his daughter's fiance and becomes obsessed with the identity of a stranger he sees around town whom he insists he knows, though he has never been able to catch sight of his face.

The Wendigo
Genre: Creatures
Available for Listening Booth: N

A hunting trio into the north woods devolves into terror when the guide vanishes, supposedly the victim of a legendary creature that prowls the forest.

The Vanishing Point

(1984-91) This series produced Horror and Sci-Fi, incorporating several 'sub-series' over the course of its long run. Below is a selected listing only. Unless otherwise noted, all episodes were half hour format.

Cage of Light
Genre: Aliens
Available for Listening Booth: N

A first contact mission specialist is put on trial for genocide when the alien race he made contact with 'disappeared' shortly after his visit to their home world.

Childhood's End
Genre: Aliens
Available for Listening Booth: N

A 5 part, 1 hr 30 m production based on Arthur C. Clarke's classic novel of the arrival of the Overlords, a superior alien race come to usher mankind several steps up the evolutionary ladder, whether we want it or not.

Other versions were produced for the BBC.

The Dispossessed
Genre: Aliens
Available for Listening Booth: N

The twin planets of Uras and Anara have pursued opposing socio-political ideals and thus avoided contact with each other for fear of cultural contamination. Now Shevek, a brilliant mathematician and physicist, has been invited to visit Uras, an invitation he accepts in spite of the objections of his fellow Anarans, who fear that Uras' leaders only want him to develop a new space-drive that will allow them rebuild their interstellar empire.

A six part mini-series based on the novel by Ursula K. Le Guin.

The Enormous Radio
Genre: SF
Available for Listening Booth: N

A couple in an apartment acquire an unusual radio which picks up conversations from their neighbours in the building. Could anyone resist the temptation to learn all their neighbours' secrets? Story by John Cheever
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Versions of this story were also produced for Suspense and CBS Radio Workshop.

How Love Came to Professor Guildea
Genre: Creatures
Available for Listening Booth: N

Said professor despises people and holds only contempt for human affection. But love cannot be denied, and if the good professor will not accept love from a human source, he must face the prospect of an inhuman love...

Versions of this story also appeared on CBS Radio Mystery Theater (as 'Shadow of Love'), Escape , Radio City Playhouse, and The Vanishing Point.

See also 'The Thing in the Hall' (Theatre 10:30)

Meteor
Genre: Aliens
Available for Listening Booth: N

Minute alien colonists arrive on Earth encased in a meteor, and have no end of trouble battling the gigantic native 'monsters'. Story by John Wyndham.

See also 'Meteor Man' (Lights Out) and 'The Meteorite' (CBS Radio Mystery Theater).

The Nine Billion Names of God
Genre: Supercomputers
Available for Listening Booth: N

A computer programmer is hired by monks in Nepal to help them collect every possible name for the Almighty. A laughable project, with not so laughable consequences... Story by Arthur C. Clarke.

Past Imperfect
Genre: Time Travel
Available for Listening Booth: N

An inventor's ruthless, self-seeking nephew turns the tables on him with the aid of his new time machine. But time is not something easily trifled with...

The Silenian Test
Genre: Aliens
Available for Listening Booth: N

Giant alien ships descend on Earth, broadcasting telepathic messages that they are here to test mankind for inclusion in the galactic community, but they won't tell anyone what the test is beyond the cryptic phrase, 'the stars demand sacrifice'.

The Word for World is Forest
Genre: Aliens
Available for Listening Booth: N

The seemingly simple natives of a world blanketed in forest resent the arrogance of human interlopers, and the contempt they show for the local ecology. All the natives need is a leader strong enough and clever enough to match wits with their human exploiters.... Based on a novel by Ursula K. le Guin. In 3 parts, 1 hr. 30 m.


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CBS Radio Workshop

Not to be confused with the CBS Radio Mystery Theater! Radio Workshop was designed to experiment with untried and innovative approaches to telling their stories. From early 1956 to mid '57, the series produced all manner of stories and indulged in some very unusual technical devices. Listed below are those episodes which best fit into the Plot Spot's venue. Unless otherwise noted, all shows were half hour format.

Webmaster Recommends:
The Green Hills of Earth; The Long Way Home; The Space Merchants

A Pride of Carrots
aka: "Venus Well Served"
Genre: Aliens/Humour
Available for Listening Booth: Y

Astronauts landing on Venus discover a world torn by war between indigenous intelligent vegetables.

Brave New World
Genre: Dystopian Future
Available for Listening Booth: Y

A 2-part, 1 hour vision of a future where individualism and free thought are suppressed by drugs and a bizarre blend of economic super-capitalism and enforced social communism. Story by Aldous Huxley.

See also '1984' (Theatre Guild on the Air).

Cinderella - If the Shoe Fits
Genre: Fantasy
Available for Listening Booth: Y

Miss Lurene Tuttle and Mr. Vincent Price have a little disagreement about the relative merits of Romanticism vs. Realism, which results in each of them re-telling the classic story of Cinderella in their own style.

Reviews:
Loved Vincent Price's version of this story! According to Mr. Price, the traditional version depicts Cinderella as a helpless, smudge-faced juvenile, who sits around all day whining and waiting for somebody to rescue her, while in his version, Cindy really makes things happen. [8/10] --- zM
The Enormous Radio
Genre: SF
Available for Listening Booth: Y

A couple in an apartment acquire an unusual radio which picks up conversations from their neighbours in the building. Could anyone resist the temptation to learn all their neighbours' secrets? Story by John Cheever

Versions of this story were also produced for Suspense and the CBC's Vanishing Point.

The Green Hills of Earth
Genre: Space Exploration
Available for Listening Booth: Y

Classic story of a space engineer who suffers a tragic accident and ends up tramping about the Solar System singing about the life of spacers and dreaming of returning to Earth once more before he dies. Story by Robert Heinlein.

Other versions of this story appeared on X Minus One and Dimension X.

Reviews:
'The Green Hills of Earth" is a story by Robert Heinlein adapted to radio by no less than three production companies. Dimension X, X Minus One, and the CBS Radio Workshop. The first two, the "X" sessions paint the main character, Rhysling to be a drunk and a jokester. He loses his sight, and goes on to write the greatest song in the galaxy, "The Green Hills of Earth." The CBS version shows Rhysling to be a rude sot that already has this song written, but with no ending. When Rhysling looses his sight in the CBS version, he finishes the song.

All three versions have merit, and are very well done. Please note, the actor in both "X" sessions can sing. Not so much for the CBS version. If music is your forte, X Minus One is better because the whole songs are played. Dimension X has the better acting. The CBS version is just plain edgy, Rhysling seems very bitter about a lot of things. This is my favorite radio story. My favorite telling would have to be the Dimension X version. The legend of Rhysling is real in the hearts of those who believe it. Just take a look at how obsessed Apollo XV astronauts were when looking for Rhysling crater on the moon. --- John Pote
Light Ship
Genre: Adventure
Available for Listening Booth: Y

A well-produced adventure story about the tensions aboard a ship stationed to warn other ships away from dangerous shoals.

The Long Way Home
Genre: Dystopian Future
Available for Listening Booth: Y

Amidst the desolation and human suffering left by World War Three, there are no countries left, only the wandering remnants of their armies, who battle one another over the Earth's dwindling resources. There are no sides, no causes, no objectives save for survival. This dark tale envisions one ragtag force who take it upon themselves to protect Newark from invasion by sea borne raiders.

Report on the We'uns
Genre: SF/Humour
Available for Listening Booth: Y

Archaeologists in the future attempt to reconstruct our way of life from a collection of small artifacts, and arrive at some rather bizarre conclusions.

Roughing It
Genre: Adventure / Humour
Available for Listening Booth: Y

A semi-biographical travelogue by American humorist Mark Twain, covering his travels throughout the American West between 1861 and 1867.

Reviews:
Since Roughing It is mostly a series of loosely-connected anecdotes, short stories and tale tales, it lends itself well to adaptation and thinning out. This modern adaptation begins sometime in the 1940s or 50s and takes quite a few pot-shots at the "motion picture" industry before settling down to the text that Samuel Clemens actually wrote. The writing is witty; the acting crisp. Very well done. [8/10] --- zM
The Space Merchants
Genre: Dystopian Future
Available for Listening Booth: Y

In a future dominated by rampant consumerism and global advertising cartels, a high-ranking ad executive is charged with the task of selling the colonization of an inhospitable Venus. But corporate conspirators and outlawed conservationists have other ideas... A 2-part, 1 hour production based on the book by Frederik Pohl and C.M. Kornbluth.

See also 'The Merchant of Venus' (X Minus One)


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Challenge of Space

I know practically nothing about this series. It might have originated in the late 1960s or early 1970s in South Africa. I have eight episodes, all of which are Sci-Fi. The audio quality ranges form poor to mediocre.

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Far Centaurus
Genre: Space Exploration
Available for Listening Booth: Y

Three astronauts hibernating on the first interstellar mission, a 500-year voyage to Alpha Centauri, awake to a startling discovery as they near their destination. Story by A.E. van Vogt.

Where Was Atlantis?
Genre: Mars
Available for Listening Booth: Y

A mission is launched to find the Lost City of Atlantis and their anti-gravity technology...on Mars.

Reviews:
A simple and forthright story that was quite fun and enjoyable. Ending was pretty good, but left me wanting just a little. --- Steve Franklin
Another Galaxy
Genre: Space Exploration
Available for Listening Booth: N

As the first mission to go to another galaxy is being prepared, one of the astronauts slated to go must deal with his overbearing father who insists he must go and his girlfriend who insists he mustn't go.

Reviews:
While this production was technically well done, I didn't like it. The characters were extremely unlikable and I couldn't find any sympathy for any of them. Plus the end just really creeped me out, and not in a good way. --- Steve Franklin

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Columbia Workshop

A long-running series (1936-47) of more than 300 episodes, this show's run is even more remarkable considering its unorthodox methods of storytelling. The label 'workshop' denoted an experimental approach to radio drama—such as the use of music to replace voices, narration in song and verse, and canted viewpoints that stretched the listener's sensibilities. Most of the shows were in standard half-hour format, but a few were broadcast as a multi-part series and there were occasional hour-long (Hassan, Murder in the Cathedral, John Brown's Body) and even a couple of 90-minute-long (Richard III, Peer Gynt) episodes during the series' run.

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Alf, the All-American Fly
Genre:
Available for Listening Booth: Y

At a public demonstration, a professor shows off his machine for talking to insects by interviewing Alf, a heroic fly with a Noo Yawk accent.

Reviews:
One of the series' many too-cute-for-their-own-good satirical fantasies. Lucille Fletcher wrote it in the wake of the success of her similarly cute tap-dancing caterpillar story, "My Client Curley." The cast has a field day playing the cartoonish characters and Bernard Herrmann provides what may be his goofiest, twangiest theme music ever. --- Anonymous
Carmilla
Genre:
Available for Listening Booth: Y

An unusual teenaged girl has an unhappy effect on her adoptive household.

Reviews:
Solidly adapted by Lucille (The Hitch-Hiker) Fletcher, Sheridan Le Fanu's horror tale is claustrophobic and moody, but doesn't quite come to a boil. Jeanette Nolan is a sexy, provocative bad girl in the title role. The memorable score consists entirely of a single eerie piano piece. --- Anonymous
Case History
Genre:
Available for Listening Booth: Y

A pilot on the brink of death takes a tour of a strange airport on the edge of the abyss.

Reviews:
Milton Geiger's script, described as "a drama dealing with the dark reaches of the subconscious mind," plays sort of like a 1930s version of a Twilight Zone episode. Alas, the sound quality deteriorates badly toward the end. --- Anonymous
A Comedy of Danger / The Finger of God
Genre:
Available for Listening Booth: Y

A trio of visitors is trapped in a flooding Welsh coal mine; the crooked head of an investment firm plots to abscond with the investors' money but something supernatural intervenes.

Reviews:
Two workmanlike suspense plays, badly acted. "Danger" (Richard Hughes, 1924) is an abbreviated version (sacrificing characterization) of one of the first plays written especially for radio. "Finger" (Percival Wilde, 1917) is an unsubtle presentation of a dialogue-driven one-act stage play that was sometimes performed on American radio in the 1920s. --- Anonymous
Danse Macabre
Genre:
Available for Listening Booth: Y

Death Himself, sad and lonely, stalks a kingdom with his violin, looking for someone to dance to his music.

Reviews:
The premise is interesting, the music is great (by Saint-Saëns, of course, via Bernard Herrmann), the drama is slow but okay, and the acting is variable. --- Anonymous
The Dream Maker
Genre:
Available for Listening Booth: Y

Two "nightmare breeders," a veteran and a novice, create dreams to haunt sleeping mortals.

Reviews:
A broad, twenty-minute-long "comic" sketch which is too precious and not particularly funny; followed by a tedious technical demonstration of sound effects via a "sound microscope." Disappointing. --- Anonymous
Drums of Conscience
Genre: Horror
Available for Listening Booth: Y

While the "life-loving Negroes" of Frog Bottom, Alabama enjoy a fish fry, a murderer among them comes to believe he is haunted by the ghosts of an African slave ship.

Reviews:
The old "superstitious Negro" stereotype so prevalent in the 1930s makes this queasy listening in the allegedly-enlightened twenty-first century. But it's an otherwise fairly straightforward horror story — with some unusual local color (if you'll pardon the pun) — that might have aired on series like The Hermit's Cave or The Witch's Tale. --- Anonymous
The Fall of the City
Genre: undefinable
Available for Listening Booth: Y

A nameless city in an undefined time is under siege from a conqueror whose armies are converging on its gates. But perhaps the greatest danger lies within the city's denizens themselves... Told in a series of grandly eloquent speeches.

Two separate versions were made, 1937 and 1939. The '37 version stars Orson Welles.

Reviews:
Perhaps the single greatest achievement in radio history. More impressive even than 'War of the Worlds.' Written by a Nobel Award Winning writer, and voiced by a cast of 200, helmed by the greatest voice in radio... Orson Welles. A program so relevant for today. (A+). Highest recommendation! (Get the original 1937 episode, not the inferior 1939 remake). --- HT

An interesting experiment, but too obscure. --- Bruce Fisher

This timeless fantasy-allegory (probably the best work of Archibald MacLeish, an actual U.S. poet laureate who won three Pulitzers, but no Nobel) is one of the few vintage American radio plays that's taken halfway seriously by literary and drama critics; even radio's alleged poet laureate, Norman Corwin, never wrote one as sophisticated as this. --- Anonymous
The Finger of God
See: "A Comedy of Danger"
Fish Story
Genre: Horror
Available for Listening Booth: Y

A man catches a talking fish that grants him three wishes.

Reviews:
Busy musical comedy fantasy for adults with Broadway-style songs. For some reason, this reminded me of subpar 1940s Disney films like "Make Mine Music" and "Melody Time." It's the kind of story where a trout turns into a pretty girl named Cinderella, has to be back in the brook by midnight, and the cast sings a rousing production number, "Fish, You're in New York!" Ugh. --- Anonymous
The Gods of the Mountain
Genre:
Available for Listening Booth: Y

Seven beggars attempt to pass themselves off as gods.

Reviews:
An almost too-faithful adaptation of Lord Dunsany's weird 1911 play. With a seemingly all-male cast and little or no use made of character names, it's sometimes hard to follow all the details. But the chilling climax is aided greatly by Bernard Herrmann's percussion effects. --- Anonymous
An Incident of the Cosmos / The Last Citation
Genre:
Available for Listening Booth: Y

Two short plays: alien observes a distant world; ruthless general dies and finds himself on trial.

Reviews:
Two leaden doses of ironic science fiction and fantasy; very old school and a little too heavy-handed, artistically and politically. --- Anonymous
The Last Citation
See: "An Incident of the Cosmos"
Metzengerstein
Genre:
Available for Listening Booth: Y

Relatives, clients, and enemies eagerly await the imminent demise of the Baron Metzengerstein, not the least among them his son, who is impatient to take the helm in the family's long history of abuses, heedless of the curse put on the family name through a stolen tapestry hanging on the castle wall. Based on a story by Edgar Allen Poe.

A version of this story was produced for The Weird Circle as 'The Tapestry Horse'

The Moat Farm Murder
Genre: Horror
Available for Listening Booth: Y

Matter-of-fact murderer Dougal confesses to his crime.

Reviews:
One of adaptor-director Norman Corwin's few brushes with conventional horror (as opposed to the global fascist kind he was more often concerned with) is a tour de force for actor Charles Laughton and composer Bernard Herrmann (whose eerie, string-heavy score prefigures the one he wrote for Hitchcock's Psycho). Based almost verbatim on a real-life 1903 confession, the script was later done by Orson Welles on The Mercury Summer Theatre and either version is worth hearing. --- Anonymous
A Night at the Inn
Genre:
Available for Listening Booth: Y

Four crooks who have stolen an Indian idol's ruby eye wait for the idol's worshippers to come and try to take it back.

Reviews:
This adaptation of Lord Dunsany's suspenseful 1916 thriller is stronger on atmosphere and characterization than clarity. In other words, I had to consult the original play a few times to figure out what the hell was going on. --- Anonymous
Remodeled Brownstone
Genre:
Available for Listening Booth: Y

A husband remodels an old New York City brownstone and his wife keeps hearing noises. Is she going crazy or is it a ghost?

Reviews:
William Spier produced this classy, literate Lucille Fletcher script which wouldn't have been out of place on his Suspense series where Agnes Moorehead could have played the increasingly overwrought wife. --- Anonymous
R.U.R.
Genre:
Available for Listening Booth: Y

Miss Glory arrives at the factory to liberate Rossum's Universal Robots. Based on the play by Karel Capek.

Reviews:
No substitute for the original, this adaptation tries hard to be faithful (virtually all the dialogue is from the famous play which popularized the word "robot"), but the half-hour format simply isn't enough time to do the story justice. --- Anonymous
S.S. San Pedro
Genre:
Available for Listening Booth: Y

The mysterious Dr. Percival, who likes to be where things are happening, boards a doomed ocean liner.

Reviews:
Interesting to compare this to the much later Escape version. Here, we get a more faithful adaptation of the James Gould Cozzens' novel, more elaborate production, more characters, less romance, and a more broadly-played Dr. Percival - but it's not nearly as listenable. --- Anonymous
The Signal-Man
Genre:
Available for Listening Booth: Y

A journalist interviews a haunted railroad signal-man. Based on the story by Charles Dickens.

Reviews:
The best vintage audio version of this oft-told Dickens story. Excellent, gripping adaptation by Charles Tazewell, carried by bravura acting and sound effects. --- Anonymous
Split Seconds
Genre:
Available for Listening Booth: Y

As a playwright swims for his life, his thoughts, and scenes from his past, flash through his mind.

Reviews:
This Irving Reis script, originally broadcast in 1931, sounds like an American answer to Tyrone Guthrie's 1930 BBC play "The Flowers Are Not For You to Pick" which dramatizes a drowning man's flashbacks. Reis is less ambitious than Guthrie, but also less pretentious. --- Anonymous
St. Louis Blues
Genre:
Available for Listening Booth: Y

During a broadcast of W. C. Handy's classic blues, simultaneous dramatic vignettes are heard consecutively.

Reviews:
This ingenious, oft-broadcast Irving Reis play isn't exactly supernatural, but the repetition of the title tune (which borrows the clarinet opening of Gershwin's "Rhapsody in Blue") has an eerie, hypnotic quality which, combined with the script's various efforts at dark irony, might make it of interest to those who visit the Plot Spot. --- Anonymous
The Tell-Tale Heart
Genre: Horror
Available for Listening Booth: Y

On a dark and stormy night, an employee of an insane asylum recounts the tale of a murderer with an acute sensitivity to sound.

Reviews:
Poe occasionally gets in a fleeting line, but the first half of Charles Tazewell's odd script (apparently written for an earlier CBS experimental drama series in 1933) is a complete rewrite of the classic short story. Circa '33, interior/confessional monologues weren't yet in style at the networks so the only first person narration consists of rhythmic verse from the crazy killer. And just wait till the Little Voices of the Night start talking to one another! The second half is more conventional. --- Anonymous
The Use of Man
Genre:
Available for Listening Booth: Y

The fate of the human race hangs in the balance when a British fox hunter is spirited away from Earth to defend the value of his species. Script by Lord Dunsany, based on his story "What Is the Use of Man?"

Reviews:
A great premise, but this satirical fantasy (which aired as early as 1933 on the BBC) would be more effective if it were shorter or more interesting if it spent its time developing the characters. As it is, it's just a little too didactic. I can see where it might be funnier if it were performed in the style of a Monty Python sketch. (But then, what wouldn't?) --- Anonymous
The Wedding of the Meteors
Genre:
Available for Listening Booth: Y

Before two talking meteors can fulfil their destiny by colliding, they crash into Earth.

Reviews:
Not the Workshop's usual overly-whimsical fantasy -- it's played absolutely straight -- but the goofy "talking meteor" angle, the cliched "troubled scientist nobody believes," and an ending that's predictable by the second scene make this hard to take too seriously. --- Anonymous

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Creeps by Night

Creeps by Night was produced in 1944 by the Blue Network after it split from the National Broadcasting Company. The series was promoted as a new psychological drama series featuring top-notch writers and top-notch actors. Those plans don't seem to have panned out as the show was cancelled after only six months. Most of the surviving shows dealt with murder, but a few dealt with the supernatural or the occult. At least 23 episodes were produced—the first 12 with Boris Karloff and the remainder with an unidentified actor referred to only as "Dr. X." Only about seven of the episodes survive.

Currently this archive contains 8 of 12 plotlines

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The Final Reckoning | The Six Who Did Not Die | The Strange Burial of Alexander Jordan

Beyond the Grave    *LOST*

Episode: 22
Genre: ?
Available for Listening Booth: N

Dark Destiny    *LOST*

Episode: 04
Genre: ?
Available for Listening Booth: N

The Final Reckoning

Episode: 11
Genre: Murder
Available for Listening Booth: Y

George Miller was framed for a murder he didn't commit and has waited 20 years for an opportunity to seek vengeance. When he is finally released from the state penitentiary, he seeks out the man who framed him—a gangster named Ace. George has a few things he'd like to ask Ace... With Boris Karloff as George Miller.

Reviews:
A fairly predictable plot with slightly better than average acting. Nevertheless, one of the better productions from among the surviving episodes. Worth listening to. [6/10] --- zM

The Hunt

Episode: 12
Genre: Creatures
Available for Listening Booth: Y

Old man Horton is a bit of a recluse—quietly tending his sheep on fifty acres of pasture near the Louisiana Bayou, keeping a firm rein on his under-age sister, Julie... and quietly digging a grave-sized hole in which to bury something. Against this backdrop, Jeff, a young lad who has come calling on Julie perhaps one too many times, is found murdered... With Boris Karloff as Loomis Horton.

Reviews:
The 'terrifying' creature sound effects made me laugh out loud and completely spoilt the mood. [5/10] --- zM

The Man with the Devil's Hands    *LOST*

Episode: 02
Genre: Supernatural
Available for Listening Booth: N

"The story of a great musician who has no control over his hands, whether for creating beauty or causing death."
--- Syracuse Herald Journal as quoted at The Digital Deli.

See also 'The Dead Hand' (Murder at Midnight), 'Hand of Botar' (Hall of Fantasy), 'The Crimson Hand' (The Hermit's Cave), 'The Hand' (CBS Radio Mystery Theater), 'Death by Whose Hands?' (CBS Radio Mystery Theater), and 'The Beast with Five Fingers' (Fear on 4).

The Six Who Did Not Die

Episode: 18
Genre: Murder
Available for Listening Booth: Y

Captain Bull Harrison of the Sloop Nancy Hale, leads a crew of six natives and one Cockney mate to the Mangareva Atoll in the Gambier Archipelago—four days east of Sydney—to dive for pearls. What they uncover, in addition to pearls, is that the price of greed is sometimes measured in guilt... Peter Lorre hosts the AFRS version of this episode.

See also 'The Devil and the Deep Blue Sea' (Mysterious Traveler).

Reviews:
Er... four days from Sydney to French Polynesia in a sloop? Methinks the author is playing fast and free with historical facts. The natives are one-dimensional and stereotypical and the episode is short—only 20 minutes long. But a slightly better-than-average performance by the captain and the mate make this story one of the better surviving episodes. [6/10] --- zM

The Strange Burial of Alexander Jordan

Episode: 14
Genre: Murder
Available for Listening Booth: Y

The old Jordan house has stood for over one hundred years amidst birch wood and pastureland. And now, the last of the strong men who have always owned the house lies on his death bed, making funeral plans with Dr. Rutledge. Alexander Jordan is not afraid of dying... but he is terribly afraid of suffering another cataleptic fit and being buried alive... With Edmund Gwenn as Ramsey.

Reviews:
Starts with a nice descriptive passage detailing the ancient house and "aged, irascible" Alexander Jordan. A satisfying sub-plot involves mousy, submissive Martha standing up to her bullish, overbearing husband after Alexander expresses confidence and trust in her. [6/10] --- zM

A String of Pearls    *LOST*

Episode: 06
Genre: ?
Available for Listening Booth: N

Those Who Walk in Darkness

Episode: 10
Genre: Murder
Available for Listening Booth: Y

A scientist, Steven Denton, is blinded in a laboratory explosion. His wife, Valerie, instead of calling an ambulance, calls an old lover who just happens to be a famous eye surgeon. The surgeon, Dr. Paul Wade, is still hurt by Valerie's rejection 10 years previously and seems rather vindictive as he explains that a very delicate eye operation is required which might restore Steven's sight—if his hand doesn't accidentally slip while operating... With Boris Karloff as Steven Denton. Peter Lorre hosts the AFRS version of this episode.

Reviews:
A love-triangle/revenge story that does not live up to its promise. While the AFRS version of this episode has very good audio quality and is hosted by Peter Lorre, the episode overall suffers from insipid dialogue backed by stilted acting. [2/10] --- zM

The Three Sisters

Episode: 16
Genre: Supernatural
Available for Listening Booth: Y

Three sisters live alone in the house that one of their ancestors, Captain David Southgate, built in 1836. The house rests on the New England coast between the salt marsh and the shifting sand dunes. The story begins on a dark, stormy night [really!] when Dr. Clemens is summoned to the house to look after Amanda who insists she is dying. Dr. Clemens finds nothing wrong, but Amanda insists that their dead mother will come that night to lead her to the grave and there is nothing anyone can do about it... With Florence Reed as Hester Southgate.

Reviews:
Extremely poor audio quality makes this episode very hard to understand. Unremarkable plot. [4/10] --- zM

The Voice of Death    *LOST*

Episode: 01
Genre: ?
Available for Listening Booth: N

The Walking Dead

Episode: 13
Genre: Occult
Available for Listening Booth: Y

Dr. Nelson from the Public Health Office, Port-au-Prince, responds to a call from a coffee plantation owner. When he arrives at the plantation he discovers the foreman, who quite possibly murdered one of the native labourers, is suffering from a strange paralysis. Native drums beat in the distance... With Dr. X as the host and also (possibly) Juano Hernandez and Mary Patton.

See also 'Plantation Mystery' (The Hermit's Cave).

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Darkness

A product of KLON in Long Beach, California, broadcast in 1979. Uncertain how many shows were made, but eight are in circulation—all in standard half-hour format. Sound quality of the tapes I have is quite muffled. Stories were written by Ken Girard (?) and Roger Rittman (?), and featured a ghoulish punster named Kord (?)... who sounded like a Raymond Edward Johnson (Inner Sanctum Mysteries) knockoff, but without the comic timing.

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Life Span
Genre: Super Science
Available for Listening Booth: Y

A scam artist concocts a 'youth' drug, and is shocked to discover one of his test patients, an elderly woman in her 80's, growing younger - not as shocked as she, however, when the side effects start to kick in....

Toltec's Tomb
Genre: Occult
Available for Listening Booth: Y

Archaeologists find a legendary lost tomb in the jungles of Mexico, and can't resist the temptation to violate it despite an ancient curse.

See also 'Door of Gold' (Suspense) and 'The Door of Lotim' (Crisis)

Reviews:
Yikes! This one has every formula character you would expect—there is the wise old archaeologist, his beautiful daughter who is engaged to his redoubtable assistant, the shady local government official, and of course the freaky native guide who spouts on about curses and doom. Still, it is a fun listen. - Ed Corbeil

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General Mills Radio Adventure Theater

Also known as the CBS Radio Adventure Theater, this show was a companion series to the CBS Radio Mystery Theater, and likewise produced by Himan Brown. General Mills was looking for a lower-cost alternative to television advertising and Himan Brown was looking to expand into the juvenile market with his radio drama. The General Mills Radio Adventure Theater was born. Unfortunately, it failed to achieve the same degree of success as the CBS Radio Mystery Theater and General Mills dropped its sponsorship after 52 episodes (26 weeks). The show repeated for another 26 weeks as the CBS Radio Adventure Theater. The series was hosted by Tom Bosley. Episodes were approximately 40 minutes in length.

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Survival Test
Genre: SF
Available for Listening Booth: Y

Two space cadets are dropped onto an uninhabited planet as a ten day trial of their survival skills. At least, the probes claimed it is uninhabited...

The Black Arrow
Genre: Adventure
Available for Listening Booth: Y

Adventure tale of a young squire's struggle to avenge the murder of his father during the War of the Roses. A rushed re-telling of the story by Robert Louis Stevenson.


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George Edwards Productions

George Edwards Productions was an Australian radio production company that produced over 50,000 episodes between 1933 and 1953. The core members of the production company were: actor George Edwards (1886-1953), actress Nell Stirling (1909-1951), and writer Maurice Francis. Many other performers came and went (and script writers, too), but these three held the dramatic group, and the resulting production company, together for over 15 years (1933-1948).

Mr. Edwards, known as "The Man with a Thousand Voices", was a talented actor and mimic, but his career really didn't take off until he started working with Miss Stirling in 1933. Together, they were offered the chance to produce a radio drama for 70 pounds consideration. Mr. Edwards was reluctant, but Miss Stirling jumped at the chance. To save money, Mr. Edwards played many of the roles himself and they hired an aspiring script writer, Maurice Francis, to adapt the popular play Ghost Train for radio. The production was very well received and they were on their way!

Many partial copies of serials not listed here exist as transcription discs at VTLS headquarters.

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The Adventures of Marco Polo
Genre: Adventure Serial
Era: 1940
Episodes: 52 (13 min)
Duration: 11 hours
Available for Listening Booth: Y
Story by:

With George Edwards (Kublai Khan, Marco Polo, producer), Warren Barry, Tom Farley, Eric Scott, Nell Stirling (Princess Zielana).

Reviews:
Afloat with Henry Morgan
Genre: Adventure Serial
Era: 1947
Episodes: 52 (13 min)
Duration: 11 hours
Available for Listening Booth: Y
Story by:

With Derek Barnes, Warren Barry, Kevin Brennan, George Edwards, Tom Farley, Ken Fraser, Diana Goller, Harry Howlett, Moray Powell, William Rees, Ron Roberts...

Reviews:
The Corsican Brothers
Genre: Adventure Serial
Era: 1945
Episodes: 52 (13 min)
Duration: 11 hours
Available for Listening Booth: Y
Story by: Alexandre Dumas

With Alan Cuthbertson (Louis), Howard Craven (Lucien), Jean Robertson (Madam de Franchin), Eric Scott (Pierre), Jessica Noad (Annette), Owen Ainley (Captain Chateau-Renaud), Mary Hosking (Aunt Cecily), Bettie Dickson (Emilie), Warren Barry (Dino), Nell Stirling (Marianne).

Reviews:
Dr. Jekyll and Mr. Hyde
Genre: Sci-Fi / Horror Serial
Era: 1943
Episodes: 52 (13 min)
Duration: 11 hours
Available for Listening Booth: Y
Story by: Robert Louis Stevenson

With Warren Barry (Hugh Hanyon), Bruce Beeby (John Farley), Lloyd Berrell (Mr. Jekyll), Brenda Dunrich (Thirza Cox), George Edwards (Hyde, Jekyll, Poole, Franz), Hazel Hollander (Margaret Utterson), Richard Parry (Mr. Trelawny), Bebe Scott (Sam), Nell Stirling (Hetty Wilson, Nurse Poole), Lou Vernon (Mr. Litterton)...

Reviews:
Frankenstein
Genre: Sci-Fi / Horror Serial
Era: 1938
Episodes: 13 (13 min)
Duration: 2 hrs 50 min
Available for Listening Booth: Y
Story by: Mary Shelley

Reviews:
The Hunchback of Notre Dame
Genre:
Era: 1935
Episodes: 30 of 39 (13 min)
Duration: 8.5 hrs
Available for Listening Booth: partial
Story by: Victor Hugo

With George Edwards.

Reviews:
Man in the Iron Mask
Genre:
Era: 1948
Episodes: 50 of 52 (13 min)
Duration: 11 hours
Available for Listening Booth: partial
Story by: Alexandre Dumas

Reviews:
Son of Porthos
Genre: Adventure Serial
Era: 1950
Episodes: 52 (13 min)
Duration: 11 hours
Available for Listening Booth: Y
Story by: Paul Mahalin (as Alexandre Dumas)

Intrigue, romance and thrilling adventure set in France of 1678. Adapted from a story by Alexandre Dumas.

With Leonard Teale (Joel), Lou Vernon (Colonel Schultz), Reginald Goldsworthy (Bois Laurier), Nell Stirling (Renee), Sheila Sewell (Therese), Lynne Murphy (Aurora), Jack Raine (Aramis), Diana Perryman (Marchioness de Montespannet), Dennis Glenny (Friquet), John Cazabon (King Louis IV), Babs Mayhew (Francoise), Morray Powell (Corbuff), Winifred Green (La Bosse), Tom Farley (Bonlarron), Pat Barrington (Annette), Margaret Christensen (Queen Maria Therese), Bruce Stewart (Escrivaux), Athol Fleming (De Lareynie), John Alden (Major Du Junce), Afred Bristowe (Crequy), Richard Ashley (Duke Charles de Lorraine)...

Reviews:

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Family Theater

A strong religious element coloured this long-running series broadcast between 1947 and 1956. It crossed several genres, and included only a few SF stories. All episodes were standard half-hour format.

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At 155 Pounds
Genre: Time Travel
Available for Listening Booth: Y

Whimsical tale of an unemployed boxer who volunteers for an experiment to send a man back through time to ancient Rome.

The Invasion
Genre: Aliens
Available for Listening Booth: Y

A newspaper science editor gets a call from a renowned astronomer that an alien space armada is only hours away from the Earth.

Journey of the Pegasus
Genre: Aliens
Available for Listening Booth: Y

Two astronauts on the first expedition to the Moon see 'something' run aboard their ship.

The Star
aka: The Other Sheep
Genre: Space Exploration/Aliens
Available for Listening Booth: Y

An expedition to a distant planet whose sun has gone nova finds the ruins left by an ancient, advanced civilization. VERY loosely based on a short story by Arthur C. Clarke.

Reviews:
A hideously bowdlerized version of the classic Sci-Fi short story. The broadcast version is completely rewritten to satisfy the religious agenda of the show, and the syrupy ending made me want to puke. Keep away, even if you never read the story. --- Seth Gaines

How did these guys ever get permission to butcher Clarke's story? I can't imagine he would agree to the way they totally turned the original ending upside down. After all, he's an atheist, I think. If I'm right, then they used his story without his permission. Hmm - not very ethical for a religious show... --- Alex Di Pietro.

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The Haunted Hour

A Supernatural/Horror anthology in half-hour format. Not to be confused with The Haunting Hour. I know practically nothing about this series. It might be Australian. There was at least one episode: written by Warren Glasser, narrated by Lloyd Lamble, and produced by Donovan Joyce Productions. It was called "The Werewolf". My copy of this episode is dated 2002, but that seems extremely unlikely; it sounds like it was produced in the 1950s.

Donovan Joyce (1910-1980) created his radio production company in 1945 and ran it until 1960. Some of his programs were created for South African distribution. I don't know if the company survived after Mr. Joyce left. Warren Glasser was quite active writing scripts for Australian radio in the 1950s and 1960s. Lloyd Lamble (1914-2008) was an Australian actor who worked in theatre, radio, television, and film, but moved to the UK in the 1950s.

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The Werewolf
Genre: Horror
Available for Listening Booth: Y

Kent Holway, an Englishman dining in a Paris café, experiences a sense of unease, of foreboding, while watching the sinuous Dance of the Werewolf. Later, the female performer, Therese, begs to share his cab and his hotel room, claiming she is afraid to be alone during the full-moon because... she is turning into a werewolf! Mr. Holway doesn't believe her.

Reviews:
Several plot elements are left unresolved, which mars the surprise ending of this otherwise decent story. The story is one-half narration, one-half acting, with satisfying performances by both Lloyd Lamble—the spooky narrator—and whoever it is that plays Therese. I'd love to hear more from this series. [7/10] --- zM


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Hollywood Star Playhouse

A Drama Anthology which aired from 1950 to 1953, in three separate runs, over CBS, ABC, and NBC. Star-studded cast of... well, Hollywood Stars. Excellent writing, solid performances, great audio quality. 35 of 143 episodes survive.

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The Tenth Planet
Genre: Aliens
Available for Listening Booth: Y

A man's search for his missing brother, an atomic scientist, leads to an alien conspiracy to kidnap Earth's leading minds. With Joseph Cotten.


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Lux Radio Theatre

Comprising over 900 shows over the course of more than 20 years (1934-55), this series was one the most successful ever. Much of its success could be attributed to its most famous host, Cecil B. DeMille, who attracted top rank screen actors to portray their roles in radio versions of popular movies, mostly dramas. During the first two years the series dramatized Broadway plays, before shifting its focus to movies.

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The Bishop's Wife
Genre:
Available for Listening Booth: N

When an overworked bishop prays for guidance, he is sent a handsome angel who seems to spend a lot of time romancing the bishop's wife.

Three versions aired on Lux and one on Screen Guild Theatre.

Reviews:
Lux did three versions of this Robert Nathan fantasy novel-turned-Hollywood-film. In the first one, Tyrone Power is no Cary Grant (who starred in the film). In fact, he's a complete stiff as Dudley the angel, which leaves David Niven as the bishop to bring most of the funny. The script, though, is a solid adaptation and - minus the film's overly glossy sets, photography and visual effects - this might even be a slight improvement over the screen version. --- Anonymous
The Day the Earth Stood Still
Genre: Aliens
Available for Listening Booth: Y

An alien spaceship lands in Washington, but its sole occupant escapes the authorities and seeks temporary refuge with a local family while trying to determine how best to deliver a cryptic message to the people of the Earth.

Based on the classic film; Michael Rennie reprises his role as Klaatu.

King Solomon's Mines
Genre: Adventure
Available for Listening Booth: Y

Jaded veteran safari guide Alan Quartermain is coerced into accepting a job to lead an expedition into unexplored country to locate a rich heiress' missing husband, who vanished searching for the legendary diamond mines of King Solomon. Based on the film of the same name and starring Stewart Granger and Deborah Kerr.

Reviews:
Excellent production, acted with all the dramatic impact of the film. I've never been much of a Stewart Granger fan, but perhaps his being a big game hunter contributed to his gritty portrayal of Quartermain. --- Jeff Dickson.
Lost Horizon
Genre:
Available for Listening Booth: N

Following an escape from civil unrest, a hijacking, and a plane crash, a party of four finds itself stranded in the frigid mountains of Tibet. The remote lamasery of Shangri-La offers refuge and hospitality. Here our characters behold a beautiful, ideal world, but one which holds many a secret and enigma.

Other radio versions include: Academy Award Theatre, Everything for the Boys, Favorite Story, NBC University Theatre, and Theatre of Romance.

Mrs. Moonlight
Genre:
Available for Listening Booth: N

A bride wishes for eternal youth -- and gets it -- then watches her family grow old around her.

A version of this story was also produced on Romance.

Reviews:
The heroine is sort of a cross between Peter Pan and Dorian Gray, but with her own unique and very interesting troubles. It seems this Benn Levy stage play has never been filmed, which is surprising since, as supernatural romances go, it has a lot of potential. But it probably works better on radio where you can't see the actors wearing unconvincing old-age make-up. Recommended. --- Anonymous
The Naked Jungle
Genre: Adventure
Available for Listening Booth: Y

An iron-willed South American plantation owner is determined to prevent a plague of army ants from overrunning his land. Based on the film of the same name. Stars Charlton Heston.

Versions of the original story 'Leiningen vs the Ants' appeared on Escape, Mystery in the Air, and Suspense.

Secret of the Incas
Genre: Adventure
Available for Listening Booth: Y

Unemployed pilot and fortune hunter Harry Steele picks up the scent of a legendary Peruvian gold sunburst, whose rediscovery is foretold to bring about the resurrection of Incan power, but Harry only wants it for his own gain. He is not the only one... Stars Charlton Heston.

The film was a major inspiration for Raiders of the Lost Ark.

Reviews:
Terrific presentation - a pity ol' Chuck didn't do more radio. He had the voice for it. The story moves along at a healthy pace, and Steele is about as much of an anti-hero as you could get away with in the early 50's - cynical, mercenary, and caustic, but all the more engaging for it. One can certainly picture George Lucas and Steven Spielberg watching the film version and thinking 'hmmm... we can do something with this.....", though they have never admitted to it. Once you see Chuck in his Indiana Jones outfit, however (not to mention several other parallels), it seems undeniable. It is not surprising, really, that the film has never been released on video or DVD - I doubt Lucas, Spielberg or Paramount want it common knowledge that Indy had a forerunner. --- Jeff Dickson.
The War of the Worlds
Genre: Aliens
Available for Listening Booth: Y

A version based on the George Pal film, boasting a strong cast and sound effects drawn right from the movie.

See all the radio versions of this story listed on the Famous Authors on Radio page.


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Macabre

Little is known or survives of this series; it is unusual in that it was a production of Armed Forces Radio [Far East Network] and employed servicemen as actors. Broadcasts ran from November 1961 to January 1962. There were an unknown number of episodes, all in half-hour format. Written and directed by William Verdier. Formulaic writing with stiff, yet melodramatic, performances which nevertheless often involved a satisfying twist at the end.

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The Avenger
Genre: Occult
Available for Listening Booth: Y
Story by: William Verdier

A writer who violates a sacred native temple in the African jungle returns to civilization, but cannot escape the long arm of vengeance.

The Crystalline Man
Genre: Creatures
Available for Listening Booth: Y
Story by: William Verdier

An expedition to the Arctic uncovers the body of a man apparently formed of crystal in a cavity under a glacier. They take it back to a museum where it proceeds to thaw...

The Edge of Evil
Genre: Supernatural
Available for Listening Booth: Y
Story by: Walt Sheldon (and Director)

A New England cleric attempts to verify whether a creepy mansion owned by an evil scientist is haunted or not.

Final Resting Place
Genre: Horror
Available for Listening Booth: Y
Story by: William Verdier

A carney tricks a newly wedded groom into allowing himself to be buried alive.

Reviews:
Macabre is a bit campy, but in a good way. This is a creepy episode that really bothered me. The notion of being buried alive is just about the only concept in horror that affects me and this definitely did. --- William Loeffler
The House in the Garden
Genre: Murder
Available for Listening Booth: Y
Story by: William Verdier

France, 1910: a Count summons a police inspector to his castle after a series of strange deaths plague his home. The deaths are always foreshadowed by the beating of voodoo drums.

The Man in the Mirror
Genre: Supernatural
Available for Listening Booth: Y
Story by: William Verdier

After he becomes mutilated and paralysed in a car accident, John Randall is contacted by a strange entity that offers him the chance to turn back time for a dire price.

The Midnight Horseman
Genre: Supernatural
Available for Listening Booth: Y
Story by: William Verdier

An art collector can't resist purchasing a painting of a savage medieval horseman, whom legend holds will return to life through the portrait if under the right circumstances.

Reviews:
Keep in mind that Macabre was largely a labour of love created by radio employees who were neither professional actors nor writers. This episode is one of the best, but it is still only mediocre. The sound quality is excellent, but the acting is stiff and the plot is weak. If you are expecting a professional production on par with Suspense, you'll be sadly disappointed, but if you are expect a really good high school production, you'll be satisfied. [6/10] --- zM
Weekend
Genre: Horror
Available for Listening Booth: Y
Story by: William Verdier

A group of medical students are confined to an isolated island and drugged with an experimental substance.


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Mercury Theatre on the Air

The Mercury Theatre was a theatrical production company founded in 1937 by Orson Welles (21 y/o) and John Houseman (35 y/o). After a series of successful stage productions, Welles was offered the chance to direct a weekly, hour-long radio production. The Mercury Theatre morphed into The Mercury Theatre on the Air and broadcast an adaptation of Dracula as its first episode. Throughout this series and later, during The Campbell Playhouse, Welles specifically chose stories that were suitable for the Radio medium. 18 of the 22 original shows still survive. The troupe returned in 1946 as The Mercury Summer Theatre of the Air for a 15-episode summer run of half-hour shows.

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Dracula
Genre: Vampires
Available for Listening Booth: Y

The Lord of Vampires moves to England where the neighbours aren't so aware of his true nature. Premiere episode. Story by Bram Stoker.

Reviews:
Welles and Co. manage to resist the urge to "improve" the story which so many filmmakers (particularly Coppola) succumb to. The narrative-dependent nature of radio allows for the journal entry style of the book to carry over. Despite having to cut out huge chunks of story to fit into sixty minutes, it manages to remain coherent. My only beef is that it's not made clear in the script why Harker went to Transylvania in the first place. --- Harry Leshko

As strange as it may seem, this was my first exposure to the story of Dracula. I found the pacing so rushed I was never really sure what was going on. The story jumped back and forth between Transylvania and England, and I think it jumped back and forth in time also, but I'm not sure. I felt like I should have had kept a notebook, stopping the recording often so I could make notes about who was doing what to whom and when. However, the "rushed" atmosphere greatly enhances the ending... it is clear everyone is under tremendous time pressure and this comes across very well in the dramatization. I can't imagine trying to do this in a half-hour production. [6/10 on first hearing, 7/10 upon second hearing] --- zM
Hell on Ice
Genre: Adventure
Available for Listening Booth: Y

A recreation of the ill-fated 1879 attempt to reach the North Pole by ship. The expedition becomes trapped in the ice as the winter closes in.

See also 'Arctic Rescue' (Suspense) and 'The Captain of the Pole Star' (CBS Radio Mystery Theater)

The Hitch-Hiker
Genre: Supernatural
Available for Listening Booth: Y

A fellow going on a cross country car trip keeps meeting up with the same pesky spectral hitchhiker that he has no intention of picking up.

Welles also performed this script on Suspense.

Reviews:
This was my first encounter with OTR (I read the script in a middle school reader), so it's one of my favorites. As a fun note, I timed the phone call at the end, and he only got one minute out of the three minutes of long distance he was entitled to. --- Harry Leshko
Treasure Island
Genre: Adventure
Available for Listening Booth: Y

The classic adventure tale by Robert Louis Stevenson, starring Orson Welles and Arthur Anderson. Pirates, tropical islands, a treasure map, a teenage boy, and a one-legged seaman with a parrot on his shoulder. Stevenson began writing this tale "on a chill September morning, by the cheek of a brisk fire, and rain drumming on the window"... after being asked by his step-son to, please, write something interesting.

Reviews:
A rollicking good yarn with solid acting. The sound quality of the recording makes some of the dialogue hard to understand, but it is well worth the effort. [8/10] --- zM
The War of the Worlds
Genre: SF/Aliens
Available for Listening Booth: Y

Undeniably the most famous—or infamous—radio broadcast of all time. Orson Welles' dramatization of his namesake's immortal Sci-Fi classic was so terrifying that it had many listeners believing an invasion by Martians was actually taking place. Presented like a news report and removed to contemporary America, Welles' approach proved a little too effective for the gullible public. So great was the impact on society that this one broadcast has earned a place in America's cultural heritage. Based on the story by H.G. Wells.

For a complete listing of all the versions of this story produced for radio, see the Famous Authors on Radio page.


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Murder at Midnight

A short-lived series which ran from mid-1946 to mid-1947. Thirty of fifty-two episodes seem to be in circulation; they are all in standard half-hour format. This series was primarily a crime-oriented anthology with occasional forays into the supernatural. It was well-produced and, since the entire series was available by transcription, the surviving recordings have excellent audio quality.

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The Dead Hand
Genre: Horror
Available for Listening Booth: Y

A pianist loses his hand (not to mention his mind) in an auto accident, and contrives to kill to obtain a new hand which can then be grafted onto his arm. The only problem is that his chosen victim had a penchant for theft and violence.... Story by Robert Newman.

See also 'The Beast with Five Fingers' (Fear on 4), 'Hand of Botar' (Hall of Fantasy), 'The Crimson Hand' (The Hermit's Cave), 'The Hand' (CBS Radio Mystery Theater), and 'Death by Whose Hands?' (CBS Radio Mystery Theater).

Reviews:
Losing a hand, finding a detached hand that lives and moves by itself, receiving a severed hand in the mail... are all common themes in Horror. ('See also', above.) And so is not being able to control your hands—truly a horrifying predicament. But with the theme having been explored so many times before, it is hard to find an original "hands" story. Above average acting in this one turns a rather predictable plot into something worth listening to. [7/10] --- zM
The House that Time Forgot
Genre: Ghosts
Available for Listening Booth: Y

A couple purchase a beautiful country home only to find that the former owners, who died in a boating mishap decades earlier, are not quite done with it yet.

The Kabbalah
Genre: Occult
Available for Listening Booth: Y

A writer on the occult comes into the possession of a manuscript that can foretell the future, but exacts a terrible price.

The Man Who Was Death
Genre: Murder
Available for Listening Booth: Y
Story by: Robert Newman

An aspiring sculptor, frustrated by not being able to capture the image he desires in stone, decides he must become the image in order to understand it. That wouldn't be so bad... except the image he is trying to capture is that of Death itself.

Not the same story as The Shadow episode with the same name.

Reviews:
A straight-forward murder mystery. Solid acting. Very good audio quality. (The organ music grows on you after a while.) [7/10] --- zM
Terror Out of Space
Genre: Aliens
Available for Listening Booth: Y

A project to transmit and detect signals from space succeeds better—or worse—than intended when a hostile ET follows the signal down to Earth.

Later redone as 'Terror From Beyond' for the series Theatre 5.


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Mutual Radio Theater

A re-named, continuation of the Sears Radio Theater. Mostly rebroadcasts, but with a short season of new dramas late in 1980. At least 103 episodes survive.

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Our Man on Omega
Genre: Humour
Available for Listening Booth: N

The world waits in breathless silence for the return of Ned Bummer, the first man to make contact with ETs, returning to Earth aboard an alien spaceship. Stars Richard Crenna; narrated by Andy Griffith.


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Mystery in the Air

An NBC summer series from 1947 which presented "strange and unusual stories" from "dark and compelling masterpieces culled from the four corners of world literature". Narrated by Henry Morgan (later known as Harry Morgan—of Dragnet and M*A*S*H) and starring Peter Lorre. Not to be confused with a detective program from 1945 with the same title, sponsor and time slot. Some of the scripts are available at the Vintage Radio Script Library. Standard half-hour format.

Currently this archive contains 14 of 13 plotlines

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Beyond Good and Evil | The Marvelous Barastro | The Mask of Medusa

Beyond Good and Evil

Episode: 09
Genre: Thriller
Available for Listening Booth: Y
Script Available: Y
Story by: Ben Hecht and Doug Whitney

Escaped criminal, Philip Gentry, stumbles across a man changing a flat tire by the side of the road. He kills him, buries the body, steals his car, and assumes his identity. No problem... Except the murdered man was the Reverend Howard Pierce who was on his way to take over for the dying Reverend McKillup, and now Gentry finds himself as the head of the local parish.

With Peter Lorre (Philip Gentry), Peggy Webber (Lucy McKillup), John Brown (Reverend Howard McKillup), Howard Culver (Mack, cop), Jack Edwards Jr. (Tom Hubbard), Russell Thorson (Reverend Pierce), and Henry Morgan (the voice of Mystery).

Another version was produced for Suspense, starring Joseph Cotten.

Reviews:
When Peter Lorre gets in his 'groove' he is truly inspired. It's as if the character he's portraying takes control and Lorre is just along for the ride. Anger, hatred, and fear. It's all here in this story. Peggy Webber, who appeared in several episodes, "remembered a time when Lorre became so overcome with the drama of the story that he sent his script flying into the air, scattering it all over the floor. Lorre had to ad-lib his lines until staffers could re-assemble the pages." [from Horror Stars on Radio: The Broadcast Histories of 29 Chilling Hollywood Voices]. [9/10] --- zM

The Black Cat

Episode: 12
Genre: Murder
Available for Listening Booth: Y
Script Available: Y
Story by: Edgar Allan Poe

A man and his wife, both lovers of animals, befriend a homeless kitten and raise it as their own. Since it's all black, like the devil, they decide to name him Pluto. Life is wonderful. Until the man's alcoholic binges alter his state of mind and lead him to reject the unconditional love of his innocent cat. It's all downhill from there...

With Peter Lorre (narrator), Lurene Tuttle (the wife), Howard Culver (the judge), Russell Thorson (the innkeeper, voice 1), Jack Edwards Jr. (the constable, voice 2), Jerry Hausner (1st man, cat), Henry Morgan (the voice of Mystery, 2nd man).

Reviews:
I found the cat abuse/murder a little disturbing. Why that should bother me more than the countless human murders in this series, I don't know. Perhaps because my black cat was sitting on my lap, purring, while I was listening? Made me feel like a bit of a traitor. The depth of my uneasiness, I guess, is a tribute to Poe and Lorre. But beyond the detail of the black cat, this is really a story about alcoholism, violence and guilt-induced madness. [6/10] --- zM

Crime and Punishment

Episode: 13
Genre: Crime
Available for Listening Booth: Y
Script Available: Y
Story by: Fyodor Dostoevsky

In this version of the story, Raskolnikov, a brilliant young university student, graduates with highest honours due, in part, to a treatise he wrote examining the criminal mind. Unable to find work and sinking into poverty, he devises a plan to murder an exploitative pawnbroker. He believes that with his knowledge of police investigative procedures, he will remain unsuspected... it will be the perfect crime.

Adapted from the 1935 film, also starring Peter Lorre.

With Peter Lorre (Roderick Raskolnikov), Joseph Kearns (the college president, the policeman), Peggy Webber (Sonya, the Landlady), Gloria Ann Simpson (the pawnbroker), Herbert Butterfield (the clerk, the prisoner), Ben Wright (the publisher), Luis Van Rooten (the Inspector), and Henry Morgan (the voice of Mystery).

Reviews:
A half-hour radio show works best when dramatizing a short story. Trying to condense a full-length motion picture (which has already been condensed from a very long novel) is just plain silly. But even though the plot is (necessarily) simplistic, the acting is sound. Think of this as the Cliff Notes version of Crime and Punishment. If you know nothing about the story, this might serve as a good introduction, but if you loved the book, you'll be sadly disappointed that so much has been left out. [6/10] --- zM
The Horla
Episode: 08
Genre: Supernatural
Available for Listening Booth: Y
Story by: Guy de Maupassant

Guy de Maupassant's famous semi-autobiographical story about his obsession with an intangible, malignant force which he is convinced has arrived in his coastal town aboard a mysterious Brazilian cargo ship.

With Peter Lorre (the narrator), Peggy Webber (Marie), Ken Christie (the doctor), Ben Wright (Dr. Parent), Lurene Tuttle (Madame Sableis), Howard Culver (the workman), Jack Edwards, Jr. (various voices), and Henry Morgan (the voice of Mystery).

Other versions were produced for CBS Radio Mystery Theater, Columbia Workshop, Inner Sanctum, and The Weird Circle.

Reviews:
This story was written in 1887, near the end of de Maupassant's life, during a period of melancholy and delusions. As a result, it is often considered semi-biographical. (As usual, Lorre expresses this madness well.) On another level, however, one could argue (as H.P. Lovecraft does) that this story is not about madness at all—it is about "extra-terrestrial organisms [who have] arrived on earth to subjugate and overwhelm mankind". Or maybe it involves a little of both? It possibly served as the inspiration for H.P. Lovecraft's own short story "The Call of Cthulhu". [6/10] --- zM

The Interruption    *LOST*

Episode: 04
Genre: Crime
Available for Listening Booth: N
Script Available: Y
Story by: W.W. Jacobs

Goddard poisons his wife slowly over several weeks so her illness appears to be a severe form of gastro enteritis. When she finally dies, however, instead of being free, the man finds himself blackmailed by his wife's maid (Agnes Moorehead). Now he needs to figure out a way to kill her too, without arousing suspicion.

See also "Too Many Women Can Kill You" (CBS Radio Mystery Theater).

With Peter Lorre (Goddard), Agnes Moorehead (Hannah), Mary Lansing (Milly), Russell Thorson (the doctor), Herb Vigran (the man), and Henry Morgan (the voice of Mystery)

Leiningen Versus the Ants    *LOST*

Episode: 02
Genre: Thriller
Available for Listening Booth: N
Script Available: N
Story by: Carl Stephenson

This story, first published in 1938, tells of an iron-willed South American plantation owner who is determined to prevent a plague of army ants—10 miles long, 2 miles wide, and each the size of his thumb—from overrunning his land.

Three version were produced for Escape and one version for Suspense.

The Lodger

Episode: 07
Genre: Thriller
Available for Listening Booth: Y
Script Available: Y
Story by: Marie Adelaide Belloc Lowndes

London, 1888. A phantom serial killer of women, reported in the press as simply "The Avenger", has killed five young women to date—all of whom are young, blond, pretty and are returning home form music halls. Against this backdrop, a boarding house madam takes in a suspicious new boarder wearing a black cape and hat, carrying a single piece of luggage, and offering a handsome price for lodging with privacy.

With Peter Lorre (the lodger), Agnes Moorehead (Ellen Bunting), Barbara Eiler (Daisy), Eric Snowden (Bunting), Raymond Lawrence (Coroner, Inspector), Rolfe Sedan (Cannot), Conrad Binyon (the newsboy), and Henry Morgan (voice of Mystery, 2nd newsboy)

Three versions were produced for Suspense and one for CBS Radio Mystery Theater. One of the Suspense versions is one-hour long.

Reviews:
Lorre does well as the mentally unbalanced lodger, but I think the ending would have been more powerful had there been more psychological horror and less action. Written in 1913, twenty-five years after Jack the Ripper terrorized London, this story builds on the legend and offers religious mania as a possible explanation. [6/10] --- zM

The Marvelous Barastro

aka: "The Shadow"
Episode: 06
Genre: Thriller
Available for Listening Booth: Y
Script Available: Y
Story by: Ben Hecht

A small-time carnival magician who reads fortunes, speaks with the dead, and reads the secrets of life, falls in love with and marries a beautiful blind woman. Shortly thereafter, they meet another travelling magician named Rico Sansone who desires Anna as his assistant and is willing to go to extraordinary lengths to get her.

With Peter Lorre (Gregor Barastro), John Brown (Amos G. Hal, old man), Barbara Eiler (Anna), Howard Culver (Rico Sansone), Jane Morgan (the nurse, voice 1), Russell Thorson (the barker, voice 2), and Henry Morgan (the voice of Mystery).

Another version was produced for Suspense, starring Orson Welles.

Reviews:
A love story which shows how flattery can disarm suspicion and lead to betrayal. The opening scene involves Barastro hiring a lawyer to defend himself for a murder he is about to commit. The reasons why are detailed in an extended flashback told by Barastro. Solid acting by Lorre, combined with one or two twists, builds suspense in an otherwise straightforward plot. [8/10] --- zM

The Mask of Medusa

Episode: 10
Genre: Horror
Available for Listening Booth: Y
Script Available: Y
Story by: Nelson S. Bond

A murderer on the run from the police ducks through a doorway and finds himself in a strange shop being confronted by an even stranger proprietor. The proprietor claims to be an artist and a connoisseur... of murder. The shop is more like a museum than a shop and is filled with the ghastly wax figures of murderers... all of whom seem very lifelike.

With Peter Lorre, Peggy Webber (Ilse, 2nd Girl), Lucille Meredith (Magda, Greta), Stanley Waxman (Aristide), Russell Thorson (Karl, Paul), Ben Wright (father), Phyllis Christine Morris (Miss Akins, 1st Girl), and Henry Morgan (the voice of Mystery).

Reviews:
I can just imagine Lorre—drenched in sweat and thrusting his hands with wild abandon—as he reads the climax. This story is well suited to Lorre's style. I thought the ending, however, was weak and a little disappointing. Perhaps it would have worked better as a one-hour episode? But by then Lorre might have had a heart attack, so perhaps not. [7/10] --- zM

Nobody Loves Me    *LOST*

Episode: 05
Genre: Crime
Available for Listening Booth: N
Script Available: Y
Story by: Herbert Clyde Lewis

A well-known hit man, Joe Reeze, enters a police station, pulls a gun on Captain Kelly and Sergeant Holt, and holds them captive while he tells them all about the kidnapping of Peggy Stewart.

With Peter Lorre (Joe Reeze), Lurene Tuttle (Peggy), Frank Nelson (Sergeant Holt), Cyrus Kendall (Captain Kelly), Ruth Perrott (Aunt Ella), Conrad Binyon (young Joe Reeze), Irvin Lee (Alex), Horace Willard (Horace), and Henry Morgan (as the voice of Mystery).

A Piece of String    *LOST*

Episode: 05?
Genre: Crime
Available for Listening Booth: N
Script Available: N
Story by: Guy de Maupassant

On market day, with the public square filled with throng of human beings and animals mixed together, an economical man, Maître Hauchecome of Breaute, notices a piece of string on the ground and picks it up. His enemy, the halter maker, sees this and uses begins a campaign to destroy Maître's reputation.

Unclear if this episode ever aired.

The Queen of Spades

Episode: 11
Genre: Murder
Available for Listening Booth: Y
Script Available: Y
Story by: Alexander Pushkin

Lieutenant Hermann has the heart of a gambler kept rigidly in check by a strong will... and a lack of money. However, when he hears that the Countess has a sure-fire, unbeatable method for beating Faro three cards in a row, he becomes obsessed with discovering her method.

With Peter Lorre (Lieutenant Hermann), Lurene Tuttle (the Countess), Peggy Webber (Lizavetta), Ben Wright (Tomsky), Rolfe Sedan (Duke, voice 2), Louis Van Rooten (Narumov), Jack Edwards Jr. (Surin, voice 1), Stanley Waxman (Chekalinsky), and Henry Morgan (as the voice of Mystery, the usher).

Another version was produced for CBS Radio Mystery Theater.

Reviews:
Murder with a slight supernatural element, better suited for the CBS Radio Mystery Theater than Mystery on the Air. No maniacal screaming... except for a little bit at the end, of course. Rather tame for Lorre, overall, but not a bad story. [6/10] --- zM

The Tell-Tale Heart    *LOST*

Episode: 01
Genre: Horror
Available for Listening Booth: N
Script Available: Y
Story by: Edgar Allan Poe

A servant claiming to be absolutely sane, explains that his apparent madness is due simply to the extreme sharpness of his senses which causes him to be nervous... yes, very nervous, but not insane. His senses are so acute that he can hear many things... things in Heaven... and in Hell, but that doesn't mean he's insane, does it? And how could he be telling his story so calmly, so very calmly if he were mad? All was well. Except that the old man he took care of had a remarkable eye—a vulture's blue eye, an evil eye—which preyed upon his exaggerated nervousness, until he finally developed a plan to shut that eye forevermore.

A faithful re-telling of the classic Edgar Allan Poe story, originally published in 1843.

With Peter Lorre, Bob Bruce, Lois Corbett, Jack Douglas, Michael Roy, Bob Andersen, Lyle Bond, Ed Chandler, Quartette, Paul Baron, and Henry Morgan.

Other versions were produced for Radio Mystery Theater, Columbia Workshop, Inner Sanctum Mysteries, Mercury Summer Theatre of the Air, Nightfall, Seeing Ear Theatre, The Hall of Fantasy, The Weird Circle.

The Touch of Your Hand    *LOST*

Episode: 03
Genre: Thriller
Available for Listening Booth: N
Script Available: Y
Story by: Frank Wilson

There is no circus act to compare with The Blanchards' trapeze act—François, his wife Madelaine, and his brother Paul—but they are always striving to make their act more spectacular. Madelaine hits upon a daring plan for François to fake a missed catch, and then catch her as she is falling.

With Peter Lorre (Francois), John Brown (Shneider, bartender), Hans Conreid (Paul), Jack Edwards Jr. (roustabout), Barbara Eiler (Madelaine), Alan Reed (Kelly), and Henry Morgan (the voice of Mystery).


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Nightmare

An obscure series hosted by Peter Lorre, broadcast from the fall of 1953 to the fall of '54. Although on air for a year, only a few episodes seem to have survived. All are in standard half hour format.

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Ghost of a Chance
Genre: Occult
Available for Listening Booth: Y

A couple involved in running faked seances take to quarrelling when the woman believes she has succeeded in actually contacting the dead.

Hybrid
Genre: Super Science
Available for Listening Booth: Y

Research scientist creates new a hybrid plant. But it has an unusual odour. Similar to carrion and blood. And no wonder it's carnivorous, growing and hungry.

Reviews:
Nice little old fashion B movie type Sci-Fi horror tale, but with an ending that's too abrupt. Far more simpler and elemental the it's longer and more elaborate sister killer plant yarn, The Day of the Triffids. But basically done well in the hyperbolic melodramatic fashion of the 50s.--- Bruce Fisher
The Purple Cloud
Genre: Super Science
Available for Listening Booth: Y

Steve and Mike see a purple shaped mushroom cloud over the city in the distance. Couldn't be a nuclear blast... but then the phone and radio go dead, the sky is filled with jets, and later even their car goes dead...

Reviews:
Good tension and suspense. And also a morality tale. Nothing great here, but still a compelling 24 to 25 minutes of mind theater. --- Bruce Fisher

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OMNI Audio Experience

A brief anthology series out of the 1980s produced by Omni magazine, with a limited run of only 4 programs and released on cassette. A great pity the series is so minimal, as its production values were every bit on par with Bradbury 13—not surprising since both series were overseen by Mike McDonough. All shows were half-hour format.

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Rescue Party; And the Moon be Still as Bright

And the Moon be Still as Bright
Genre: Mars/Aliens
Available for Listening Booth: Y

As though wiping out the Martian race with Earthborn diseases weren't enough, humans demonstrate a hostile contempt for what relics and monuments the Martians left behind - until one man with a conscience and a gun decides to stand up for the dead. Story by Ray Bradbury; part of the Martian Chronicles future history.

Other versions of this story originally aired on Dimension X and X Minus One. See also 'The Martian Death March' (X Minus One and Dimension X); See the full listing of Martian Chronicles stories under 'Ray Bradbury' on the Famous Authors on Radio page.

The Off Season
Genre: Mars/Aliens
Available for Listening Booth: Y

Having displaced most of the Martians from their cities and homes, emigrant Earthmen are settling in for the long haul. Sam Parkhill looks forward to owning the first hot dog stand on Mars, but a cryptic warning from a Martian native might suggest a different outcome. Part of Ray Bradbury's Martian Chronicles series.

Rescue Party
Genre: Aliens
Available for Listening Booth: Y

A story about space travellers on a mission of mercy to save what inhabitants of a world they can from an impending supernova, only to find a bizarre mystery once they arrive. Story by Arthur C. Clarke.

Reviews:
A well done thriller across the board. Writing, acting, production values, etc. Check it out. --- Bruce Fisher
No Title
Genre: none
Available for Listening Booth: N

6 minutes piano and orchestra track (by Greg Hanson?), followed by 'Sleepscape', a 10-minute audio drama by Innovations Consulting Inc. (corporate drama?), and a final 4-minute segment called 'Think a thought' by Ken Nordeen. The whole track is less than 24 minutes.

Reviews:
An odd hodgepodge of material that is neither in line with nor worthy of the rest of the series. The only part that is any good is the piano track, which has a haunting, bittersweet melancholy to it, but as far as audio drama is concerned, don't hope for anything remotely resembling the other episodes. --- Jeff Dickson.

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Radio City Playhouse

A Drama Anthology which aired on NBC from mid-1948 to early 1950 and covered a wide variety of genres, including about half a dozen tales of the fantastic. Original stories as well as classic stories were dramatized. Two series, plus a summer run, generated an estimated 65 broadcasts, of which 62 survive. All episodes were in the standard half-hour format.

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Elementals
Genre: Speculative
Available for Listening Booth: Y
Story by: Stephen Vincent Benét

A very wealthy man wagers a young couple $25,000 that he can destroy their love within seven days. He maintains there are only three elemental emotions: fear, hunger, and hate, and that by keeping the two lovers within sight of each other, but incommunicado and without food for seven days, their love will be consumed by one or more of the elementals. The young couple believe their love will prove the stronger.

Other versions aired on Author's Playhouse, Escape, and Suspense.

Reviews:
An interesting experiment, well executed. The build-up is much greater in the written story, but the dramatizations are not bad. I enjoyed the Radio City Playhouse version better than the Author's Playhouse, Escape and Suspense versions, with the Suspense version coming in a close second. The acting is fine, and the story is okay... I just had a hard time with the premise. The idea is that after seven days a piece of bread will be tossed to the young couple. If they fight over the bread, they lose. If they share it, they win... and then presumably go out to a restaurant and have a fine meal. This isn't like a pair of starving animals who wouldn't know if they would ever get any more food. So... would seven days without food be enough to destroy one's reason so he/she would not be able to wait another one-half hour? Hard to believe. [7/10] --- zM
How Love Came to Professor Guildea
Genre: Occult
Available for Listening Booth: Y

One of several renditions of this classic story of a professor whose contempt for human feelings invites the affections of an invisible entity.

Versions of this story also appeared on CBS Radio Mystery Theater (as 'Shadow of Love'), Escape , Radio City Playhouse, and The Vanishing Point.

See also 'The Thing in the Hall' (Theatre 10:30)

Note on Danger B
Genre: SF
Available for Listening Booth: Y

A high-velocity rocket plane test causes the test pilot to undergo a strange transformation.

Strange Identity
Genre: Occult
Available for Listening Booth: Y

Jan Miner stars as a war widow who spots her thought-to-be-dead husband on a passing bus and begins an exhaustive search to find out where he has been and why he has been avoiding her. Story by Harry W. Junkin.

Reviews:
Radio drama often builds plot at the expense of character development, but this story manages both. A good script, accompanied by strong acting from Jan Miner, leaves no doubt in our minds about the fierce, undying love the main character feels toward her husband... and her willingness to do anything to be reunited with him forever. [8/10] --- zM
Three Men
Genre: Horror
Available for Listening Booth: Y

Three strangers share a train compartment and have the odd feeling they have met somewhere before.

Reviews:
This Wyllis Cooper script was the nearly-annual Christmas play on Lights Out in the 1930s, even after Cooper left that series. It's not horror at all, but a religious fantasy appropriate to the season. This 1948 version is okay, but the surviving 1937 Lights Out broadcast has a more complete script and slightly more interesting actors. --- Anonymous
The Wind
Genre: Horror
Available for Listening Booth: Y

Ray Bradbury tale of a man haunted and hunted by a wind that wants to steal his soul.

Versions were also produced for Bradbury 13 and Theatre 10:30 (as 'The Searching Wind')

Reviews:
Not the best version of this great story; listen to the Bradbury 13 rendition instead. --- Jeff Dickson.

A pretty silly premise which is told so well that you'll be afraid to go outside in the wind. The Bradbury 13 version of this story has much better music and sound effects, but poorer characterization. The character of Allen (the man persecuted by the wind) is well played in both versions and he is the root of the story, so both versions are worth listening to. But Allen's best friend (Herb) and Herb's wife (Jane) are characterized very differently in the two versions. Jane seems thoroughly unpleasant in the Bradbury 13 version... understanding, but pushed to the edge, in the Radio City version. Herb seems rather condescending in the Bradbury 13 version... but like a good friend in the Radio City version. If characterization is your thing, listen to the Radio City version. If music, sound effects and overall tone are what you look for, you'll be better off with the Bradbury 13 version. Both are well made. [8/10] --- zM

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Sears Radio Theater

Helmed by ex-Suspense producer Elliot Lewis and broadcast weekdays from early 1979 to the fall of that year, this program offered shows from several genres, with a different theme tied to each day of the week. The few Sci-Fi oriented stories appeared on Adventure Fridays, hosted by Richard Widmark (later in the series, by Howard Duff). 129 episodes were produced, but only a few fit the parameters of this site. The series was picked up by the Mutual Broadcasting System and rebroadcast in 1980 as The Mutual Radio Theater.

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No Greater Dream
Genre: Super Science
Available for Listening Booth: N

Scientists John and Mary are in love, but Mary has terminal leukaemia. They attempt to preserve her soul in a glowing glass vile attached to the coffin where Mary is laid to rest.

Reviews:
Well don't look for any Science in this piece of pseudo Science Fiction. It's 'Donovan's Brain' without the brain. Neither in the story itself or for the writing of the story. How this astounding transmutation was supposedly accomplished, well... it just was - ok. If your taste buds opine for heady portions of ham and corn securely locked together in the dialogue and acting and then snugly wrapped around schmaltzy enough to smell hearts and flowers music, then, this is for you. --- Bruce Fisher
Then There Were None
Genre: Aliens
Available for Listening Booth: Y

Astronauts' space ship lands on a planet of carnivorous giants. Predictable horrors and altercations envelope and threaten the crew's safety and security.

Reviews:
Nice little old fashion comic book type space opera with a Twilight Zone twist we've all seen and heard a number of times before. But still suspenseful and exciting enough to generate some nice classically lurid Sci-Fi mind theater. Enjoy. --- Bruce Fisher
Two Faces of Evil
Genre: Space Exploration
Available for Listening Booth: Y

Astronaut Jason Tucker and his clone Juvan are sent together on a mission into deep space to retrieve a very expensive robot computer, but Tucker has secret orders that command him to return to Earth, without his companion. Unbeknownst to him, Juvan also has secret orders that mandate him to do the same.

Reviews:
Not exactly a thriller-diller. Most of the story takes place during the voyage and resolves around the somewhat trivial "getting to know you" exchanges between Tucker and Juvan alternating with nervous exchanges between two military officers on Earth concerned how the two will get along. Actually they do. Probably would have better the other way. The motive and rational why the two were given conflicting orders in the first place isn't very believable or convincing from either their commanding officer's psychological (worth the risk) or criminal (get away with it) point of view. --- Bruce Fisher
The Wrath of Zeus
Genre: Future Earth
Available for Listening Booth: Y

A high tech whodunit. The world is at peace, and thanks to a super computer that now controls the weather, a golden age looms on the horizon - until catastrophic storms begin raging across the planet causing devastating carnage.

Reviews:
Good enough premise. Writing, acting, and production values, ok. Couple of corn elements. Clearly not the best, but still pretty good. Definitely worth a listen. --- Bruce Fisher

A very realistic portrayal of a future in which man had conquered weather control, but with unlooked for results. Although the story device of one person gaining control of a system which could affect the world in either positive, or negative ways depending on how it is put to use, and using it for destructive purposes in order to gain power is not exactly new. I first encountered a similar plot device in "X Minus One, The Roads Must Roll," but in this story the destruction actually occurred, while in "Roads" it was only used as a threat against those who opposed the power crazed madman. This story, however, is different from "Roads" in a few more ways, such as the true nature of the threat being unrevealed until the final act, and women being in prominent work roles, rather than simply being the super-scientist's supportive little wife, or girlfriend. All in all, an exceptional Sci-Fi romp through the universe of "What Could Be."- Fallen Angel

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Tales of Tomorrow

A radio spin-off of ABC's television show of the same name, this short-lived series lasted only a few months in early 1953, producing a total of 15 shows culled from the pages of Galaxy magazine. Only about a third of the episodes survive, and the few recordings I've heard have been very scratchy, almost inaudible. Only surviving shows are listed here. All were half-hour format.

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Morrow on Mars

Betelgeuse Bridge
Genre: Aliens
Available for Listening Booth: N

Aliens like giant snails arrive on Earth with the intention of setting up interstellar trade, but just how good a deal will they cut for the primitive natives? Story by William Tenn.

The Girls from Earth
Genre: SF
Available for Listening Booth: Y

A pair of women roam the galaxy in search of true love. Not the same story as the X Minus One episode of the same title. Story by Frank M. Robinson.

Martians Never Die
Genre: Aliens
Available for Listening Booth: Y

A Martian is discovered and brought to Earth, with very unfortunate results. Story by Daniel Lucius.

The Moon is Green
Genre: Dystopian Future
Available for Listening Booth: N

For years following a nuclear holocaust, a husband bullies his wife to never open the windows of their shelter, for fear of the terrible mutants who live outside. But the temptation proves a little too much for her. Story by Fritz Leiber.

A version of this story later appeared on X Minus One.

Morrow on Mars
Genre: Mars
Available for Listening Booth: Y

A hard-boiled news editor on Mars is approached by a quirky scientist who insists that there is an unnatural and catastrophic shift occurring in the planet's orbit. This show has survived better than most of its compatriots.

The Old Die Rich
Genre: Time Travel
Available for Listening Booth: Y

An unusual number of elderly turn up dead with money stuffed in their pockets and yet having died of starvation. The investigation leads to an unscrupulous woman who is using a time machine to send people back to make fortunes for her.

Versions of this story also appeared on Future Tense and X Minus One.

The Other Now
Genre: Supernatural
Available for Listening Booth: N

Following a near fatal car accident in which his wife is killed, Jimmy Patterson becomes convinced his wife is still alive in an alternate reality, and that the time lines are beginning to intersect. Stars Dick York.

Watchbird
Genre: Robots/ Dystopian Future
Available for Listening Booth: Y

Omnipresent robot drones programmed to detect and intercept violent crimes before they occur prove to be a bit too well designed. Story by Robert Sheckley.

Other versions of this story were produced for 2000 X and SF68.


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Theatre Guild on the Air

A Drama Anthology which aired from 1945-1953. At least 77 of over 315 episodes survive. The Cast & Crew reads like a veritable Who's Who, and the authors represent some of the greatest talent from the 19th and 20th century. Occasionally ventured into Thrillers or Sci-Fi. Each episode was 60-minutes.

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1984
Genre: Dystopian Future
Available for Listening Booth: Y

The classic tale about one man's tortured search for love and meaning in a war-torn, dystopian future dominated by 'Big Brother'. Stars Richard Widmark. Story by George Orwell.

Another version was produced for NBC University Theater. Also the BBC did 2 separate versions. See also 'Brave New World' (CBS Radio Workshop), and '2462' (Suspense).

Dr. Jekyll and Mr. Hyde
Genre: Horror
Available for Listening Booth: Y

The classic tale of a scientist whose search for the dual essence of human nature and morality carries a heavy personal price for success. Story by Robert Louis Stevenson.

Versions of this story also appeared on the BBC, CBS Radio Mystery Theater, Favorite Story, Weird Circle, NBC Short Story, and the U.S. Steel Hour.


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The Weird Circle

An anthology of supernatural tales from some of the great authors in the genre. It aired from late-1943 to early-1945 and included at least 78 episodes, all in half-hour format. The audio quality of the series is quite good, but the acting is inconsistent.

Authors included: Algernon Blackwood, Ambrose Bierce, Charles Dickens, Charlotte Bronte, Daniel DeFoe, Edgar Allan Poe, Edward Bulwer-Lytton, Emily Bronte, George Elliot, Guy DeMaupassant, Hans Christian Andersen, Herman Melville, Honore De Balzac, Mary Shelley, Nathaniel Hawthorne, Robert Louis Stevenson, Samuel Johnson, Samuel Taylor Coleridge, Victor Hugo, Sir Walter Scott, Washington Irving, Wilkie Collins. Not a bad crowd, that.

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The Diamond Lens
Genre: Super Science
Available for Listening Booth: Y

A scientist discovers a civilization under his microscope.

The Ghost's Touch
Genre: Ghosts
Available for Listening Booth: Y

A doctor concocts a dangerous drug that makes the subject impervious to pain. He wants to try it out on his cousin, but her dead lover has a serious problem with the idea.

The House and the Brain
Genre: Supernatural
Available for Listening Booth: N

A husband and wife are fascinated when they see the 400-year old portrait of the notorious cutthroat Richards. When they hear that his former home in London is rumoured to be haunted, they decide or rent it for a week so they can meet a real ghost.

A version of this story also appeared on CBS Radio Mystery Theater.

Reviews:
Ed Wood meets Scooby-Doo Mysteries. Hilariously awful. --- Derek Upham
The Lifted Veil
Genre: Super Science
Available for Listening Booth: Y

A scientist invents a formula to briefly bring poisoned lab rats back to life, and is itching for a human poison victim on whom to test his serum.

See also 'Life Span' (Darkness), 'Death Robbery' (Lights Out), and 'The Search for Life' (The Hermit's Cave)

What Was It?
Genre: Supernatural
Available for Listening Booth: Y

The residents of a boarding house begin to wonder if their home is haunted by spirits when they hear moaning in the attic. If only it were that simple...


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With Book and Pipe

I know very little about this series. It was broadcast over WPEN radio, Philadelphia, possibly in 1945. At least one, 15-minute episode was produced: "The Graveyard Rats" [note: not "The Graveyard Eats"]. The story was told by a single narrator backed by an enthusiastic organ. The episode was well-produced; I look forward to hearing more from this series.

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The Graveyard Rats

The Graveyard Rats
Genre: Horror
Available for Listening Booth: Y
Story by: Henry Kuttner

Salem, Massachusetts. Old Masson, the cemetery caretaker, is not a nice man. In fact, he robs graves in his spare time. But lately, the enormous rats which have taken over the cemetery have been stealing the corpses before he has a chance to rob them. Very annoying. Traps, poison, and bullets do not seem to have any effect as the rats seem to be guided by some subterranean intelligence. Old Masson is about to take the fight to the enemy.

Reviews:
If claustrophobia is your thing, this one will surround you in freakish delight, press in upon you from all sides, and leave you gasping for breath. If not, then you'll probably think this is a well-produced, slightly-better-than-average tale. I'd love to hear more from this series, but this is the only episode I have been able to find. [7/10] --- zM

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Independent Productions

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407 Arachne
Genre: Space Exploration
Available for Listening Booth: N
Produced by: SoundStories out of Minneapolis

En route back from Mars, three astronauts intercept a lonely asteroid which they intend to use as a nuclear test site as an experiment to evaluate the viability of diverting such objects away from Earth. However, 407 Arachne is not your typical asteroid - it is covered in alien hieroglyphics.

A Martian Odyssey
Duration: 50 min
Genre: Mars / Aliens
Available for Listening Booth: N
Produced by: Star Quest Entertainment (1997)

An adaptation of the Stanley Weinbaum classic novella about the pilot of a scout ship that crashes in a remote region of Mars and must endure a long and arduous trek across the Martian hinterland with his adopted native companion.

Centropolis
Genre: Dystopian Future
Available for Listening Booth: N

A glimpse into the lives of a couple living in a dystopian mega-city of the future. The wife works in a 'hospital', retrieving organs from arrested social insurgents and undesirables, while the recently unemployed husband finds work as a political puppet of the city's secret ruling class, a figurehead to act as an expendable living decoy in the war between the haves and the have-nots.

Mission: Andromeda
Genre: Space Exploration/Aliens
Available for Listening Booth: N

Following a deep space explorer ship's encounter with a strange EM pulse from a dying alien vessel, one crew member becomes convinced the others are possessed.

From a brief series called Tales From the Other Side.

Program Completed
Duration: 30 min
Genre: SF
Available for Listening Booth: N
Produced by: unknown

The lone monitor of a deep space relay station must call on all his resources to survive when an incoming ship crashes into his asteroid and his facility is damaged beyond repair. The antenna is gone, and the oxygen is leaking out...

The producer of this show is unknown, but its style suggests a reasonably contemporary production date.

See also 'Kaleidoscope': Bradbury 13, Dimension X, Mindwebs, Suspense, and The Shape of Things to Come (BBC).

Reviews:
A thriller with some thrills. But lacking in the necessary plotting, characterization, dialogue, acting, and intensity to take it above just a passable level. --- Bruce Fisher
Rogue Moon
Duration: 90 min
Genre: Space Exploration
Available for Listening Booth: N

Scientists in the late '50's discover a method of copying a man and beaming his duplicate to the surface of the Moon to explore the mysteries of a million year old structure. The original remains in contact with his counterpart, but no copy has ever survived more than a few minutes inside the structure, and the original usually ends up insane. Classic story by Algis Budrys; produced by the Chicago Radio Theater.


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